江西教育学院学报
江西教育學院學報
강서교육학원학보
JOURNAL OF JIANGXI INSTITUTE OF EDUCATION(SOCIAL SCIENCES)
2013年
6期
171-174
,共4页
构建%歌妓爱情%模式%悲剧%喜剧%理想剧
構建%歌妓愛情%模式%悲劇%喜劇%理想劇
구건%가기애정%모식%비극%희극%이상극
construct%love life of geishas%patterns%tragedy%comedy%ideal play
冯梦龙的《三言》塑造了大批女性形象，而其中最为生动典型的当属教坊名妓（歌妓）形象。作者站在她们的角度，探讨了三种爱情婚姻模式：一是“心比天高”的悲剧模式；二是“身为下贱”的喜剧模式；三是“天上人间”的理想模式。为当时的歌妓提供了从良的借鉴。
馮夢龍的《三言》塑造瞭大批女性形象，而其中最為生動典型的噹屬教坊名妓（歌妓）形象。作者站在她們的角度，探討瞭三種愛情婚姻模式：一是“心比天高”的悲劇模式；二是“身為下賤”的喜劇模式；三是“天上人間”的理想模式。為噹時的歌妓提供瞭從良的藉鑒。
풍몽룡적《삼언》소조료대비녀성형상，이기중최위생동전형적당속교방명기（가기）형상。작자참재저문적각도，탐토료삼충애정혼인모식：일시“심비천고”적비극모식；이시“신위하천”적희극모식；삼시“천상인간”적이상모식。위당시적가기제공료종량적차감。
San Yan by Menglong Feng created amount of female images ,and the most vivid one belongs to famous geishas from instruciton office .The author discussed three different marriage patterns from the aspect of those women :the first one was “heart sky high” which ended in tragedy ,the second was “live as regrading” which became comedy finally and the third one was “heaven on earth” kind of dreaming marriage .These three provided suggestions for geishas at that time to gain a new life.
