普洱学院学报
普洱學院學報
보이학원학보
Journal of Simao Teachers' College
2014年
1期
61-64
,共4页
传统文化精神%正气%骨气%斗争之气%爱国志气
傳統文化精神%正氣%骨氣%鬥爭之氣%愛國誌氣
전통문화정신%정기%골기%두쟁지기%애국지기
traditional culture spirit%upright%backbone%the spirit of struggle%patriotic ambi-tion
何香凝是中国20世纪初最早留日学画的女艺术家之一,在六十余年的艺术生涯中创作了大量作品,她的绘画作品不仅是传世艺术品,在一定程度上还可以作为当时中国政治革命斗争的写照,其艺术品中体现出中国传统文化精神,即:“冰骨”“玉魂”的浩然正气、不使人间造孽钱的骨气、河山不复头宁断的斗争之气、画昭百代的爱国志气。
何香凝是中國20世紀初最早留日學畫的女藝術傢之一,在六十餘年的藝術生涯中創作瞭大量作品,她的繪畫作品不僅是傳世藝術品,在一定程度上還可以作為噹時中國政治革命鬥爭的寫照,其藝術品中體現齣中國傳統文化精神,即:“冰骨”“玉魂”的浩然正氣、不使人間造孽錢的骨氣、河山不複頭寧斷的鬥爭之氣、畫昭百代的愛國誌氣。
하향응시중국20세기초최조류일학화적녀예술가지일,재륙십여년적예술생애중창작료대량작품,저적회화작품불부시전세예술품,재일정정도상환가이작위당시중국정치혁명두쟁적사조,기예술품중체현출중국전통문화정신,즉:“빙골”“옥혼”적호연정기、불사인간조얼전적골기、하산불복두저단적두쟁지기、화소백대적애국지기。
He Xiangning is one of the earliest female artists to study painting in Japan in early twentieth century,created a lot of works in the 60 years of her art career.Her paintings are not only handed down works of art,but also embodied in the works of art as a portrayal of the struggle of the political revolution in China to some extent,its presentations of the uprightness of “ice bone”“j ade soul”,the integrity backbone,the courage of recovery of rivers and mountains,painting legacy for hundreds of generations,and the patriotic ambition were manifestation of the spirits of traditional Chinese culture.