CAJ | 학술논문

中国古典美学中的意象论肇始于《周易》，成熟于唐代。而处于之间的刘勰对审美意象论最终铸成起着不可或缺的作用。刘勰生在魏晋南北朝这个思想激烈碰撞的时代，耳濡目染中兼融儒、释、道三家思想。而对其文艺美学思想产生巨大影响的是儒道两家。本文从意象本体论、意象创构论以及对唐代意象论产生的影响三方面对刘勰的审美意象论作一番探讨。
중국고전미학중적의상론조시우《주역》，성숙우당대。이처우지간적류협대심미의상론최종주성기착불가혹결적작용。류협생재위진남북조저개사상격렬팽당적시대，이유목염중겸융유、석、도삼가사상。이대기문예미학사상산생거대영향적시유도량가。본문종의상본체론、의상창구론이급대당대의상론산생적영향삼방면대류협적심미의상론작일번탐토。
The Chinese classical aesthetic image theory originates from The Book of Changes and is completely developed in the Tang Dynasty .As a scholar between the Zhou and Tang Dynasties ,Liu Xie makes great contribu-tions to the theory's final accomplishment .Liu lives in Wei Jin and Southern and Northern Dynasties ,during w hich period ,the schools of Confucianism ,Taoism and Buddhism mix and compete fiercely .Liu is greatly influenced by the Confucianism and Taoism .This article tries to discuss his aesthetic image theory from the three aspects as image on-tology ,image creation and Liu's influence to Tang Dynasty image theory .