CAJ | 학술논문

20世纪初俄国形式主义强烈地表达了文学研究科学化的理论诉求,并在此基础上提出了陌生化的概念,然而概念本身具有一定的含混性。本文力图还原陌生化概念的原初语境,明确界定以日常语言作为文学语言陌生化的参照对象,以此来进一步探讨文学语言的审美发生。因此,陌生化不仅是文学语言的一种程序和手法,更是文学语言自身的审美属性和本质。
20세기초아국형식주의강렬지표체료문학연구과학화적이론소구,병재차기출상제출료맥생화적개념,연이개념본신구유일정적함혼성。본문력도환원맥생화개념적원초어경,명학계정이일상어언작위문학어언맥생화적삼조대상,이차래진일보탐토문학어언적심미발생。인차,맥생화불부시문학어언적일충정서화수법,경시문학어언자신적심미속성화본질。
At the beginning of the 20th century, Russia formalism intensely expressed the demand of literature research scientifically, on the basis they put forward the concept of Defamiliarization, however concept itself has certain ambiguous. This article tries hard to return the Defamiliarization concept to its primary linguistic environment, in order to clearly define everyday language as the reference object of the defamiliarization of literary language, further discusses the aesthetic occurrence of literary language .Therefore, the defamiliarization is not only the procedure and the technique, but also is literary language own aesthetic attribute and the essence.