CAJ | 학술논문

他者生存的本质悖论导致了其行为主体的生存困境，欧文·韦尔什的作品用独特的笔触探求解困之道，并借此解构主流文化霸权，创建包容他者的文化空间。《猜火车》的成功之处不仅在于对另类行为入木三分的刻画，更在于其展示了瑞顿如何颠覆传统二元生存空间，最终成功走出了“用毒品守护心灵”的窘境。克尔凯郭尔的人生哲学给瑞顿以灵感，促使他在主流社会的招安与青年的“白色反抗”之间作出自主选择，实现了对他者角色从本体论到认识论的转向，以及主体意识从本能自发到文化自觉的飞跃。
타자생존적본질패론도치료기행위주체적생존곤경，구문·위이십적작품용독특적필촉탐구해곤지도，병차차해구주류문화패권，창건포용타자적문화공간。《시화차》적성공지처불부재우대령류행위입목삼분적각화，경재우기전시료서돈여하전복전통이원생존공간，최종성공주출료“용독품수호심령”적군경。극이개곽이적인생철학급서돈이령감，촉사타재주류사회적초안여청년적“백색반항”지간작출자주선택，실현료대타자각색종본체론도인식론적전향，이급주체의식종본능자발도문화자각적비약。
As the cultural other, the subject of alternative existence is plighted in its own natural paradox.In his works,Irvine Welsh uses his masterful techniques to subvert the hegemony of the mainstream culture and seeks to create an inclusive cultural space.Renton’s alternative acts in Trainspotting,superb in the portrayal itself,function more to deconstruct the traditional dualistic space notion and help him extricate himself from taking“drugs in psychic defence.”Renton gains enlightenment from Kierkegaard and makes a conscious choice between absorptive mainstream culture and drug-abusive non-conformist culture,and thus a-chieves a conscious transformation in cultural roles.