CAJ | 학술논문

＂鬼舞＂（ghost dance）是美国印第安部族的传统仪式之一,也是19世纪末泛印第安运动的宗教抗争手段。在希尔克、阿莱克西和维兹诺等当代印第安作家的笔下,＂鬼舞＂成了一种批评隐喻,再现于文本之中,与文字共舞,展现了当代印第安作家致力于强调印第安民族的历史存在和恢复印第安民族在多元共存社会中应当拥有的地位和话语权的努力。
＂귀무＂（ghost dance）시미국인제안부족적전통의식지일,야시19세기말범인제안운동적종교항쟁수단。재희이극、아래극서화유자낙등당대인제안작가적필하,＂귀무＂성료일충비평은유,재현우문본지중,여문자공무,전현료당대인제안작가치력우강조인제안민족적역사존재화회복인제안민족재다원공존사회중응당옹유적지위화화어권적노력。
One of the traditional ceremonies of American Indian tribes,Ghost Dance used to be a religious resistance in the Pan-Indian Movement at the end of the 19th century.As a critical metaphor in Silko,Alexie and Vizenor's literary works,Ghost Dance highlights contemporary American Indian writers' constant efforts in their attempt to assert the historical existence of Indian people and to restore American Indian status and power to speak in the multi-cultural society.