闽江学院学报
閩江學院學報
민강학원학보
JOURNAL OF MINJIANG UNIVERSITY
2012年
6期
63-67
,共5页
汤显祖%《邯郸记》%八仙戏
湯顯祖%《邯鄲記》%八仙戲
탕현조%《함단기》%팔선희
Tang Xianzu%The Handan Dream%the Eight Immmortals play
《邯郸记》借吕洞宾点化卢生的故事,反映了明代中晚期科举制度的黑暗和官场的腐败。剧本语言简练,结构紧凑,排场安排合理。明清时期在舞台上演出频繁,其演出具有特定的宗教文化内涵。
《邯鄲記》藉呂洞賓點化盧生的故事,反映瞭明代中晚期科舉製度的黑暗和官場的腐敗。劇本語言簡練,結構緊湊,排場安排閤理。明清時期在舞檯上縯齣頻繁,其縯齣具有特定的宗教文化內涵。
《함단기》차려동빈점화로생적고사,반영료명대중만기과거제도적흑암화관장적부패。극본어언간련,결구긴주,배장안배합리。명청시기재무태상연출빈번,기연출구유특정적종교문화내함。
The Handan Dream reflects the darkness of the middle and late Ming Dynesty, such as imperial examination system and the corruption of officialdom, by "Lv Dongbin Enlightened Lu Sheng" story. Screenplay has brief statement, compact structure, pomp arrangements and it performed frequently on stage in Ming and Qing Dynasties. Their performances have specific religious and cultural connotations.