CAJ | 학술논문

稼轩田园词中，真正浑然忘我、无意言志、无意抒怀、意随笔生、妙手偶得的作品其实不多。一者中国有诗言志的传统。二者辛弃疾是胸怀天下的志士，因此，这一类有忘我之境的作品就更为难得、更为可贵。“忘我”的美学内涵。依据中国古典美学的观点，可以概括为无意、无法、无工。
가헌전완사중，진정혼연망아、무의언지、무의서부、의수필생、묘수우득적작품기실불다。일자중국유시언지적전통。이자신기질시흉부천하적지사，인차，저일류유망아지경적작품취경위난득、경위가귀。“망아”적미학내함。의거중국고전미학적관점，가이개괄위무의、무법、무공。
In Jiaxuan' s pastoral poems, there were seldom pieees without intention of expressing ideal, and feelings. First, the China has a tradition of to express ideas in the poem ; Second, Xin Qiji is the sublimation of the patriots . Therefore, this type of ecstasy works are more rare and valuable. Aesthetic connotations of "ecstasy" , according to Chinese classical aesthetics point of view, can he summarized as follows: unintentional, no skills , non-polish.