保定学院学报
保定學院學報
보정학원학보
JOURNAL OF BAODING UNIVERSITY
2012年
6期
1-11
,共11页
晋宋“文义”%谢灵运%山水诗%玄学%“玄学尾巴”
晉宋“文義”%謝靈運%山水詩%玄學%“玄學尾巴”
진송“문의”%사령운%산수시%현학%“현학미파”
the "Wen-Yi" of Jin dynasty and Song dynasty%Xie Lingyun%Landscape poems%Metaphysics%"Metaphysics tail"
从曹魏后期到晋宋之际,玄学经历了三个形态的变化。一是曹魏后期的＂政治的玄学＂,二是西晋前期的＂哲学的玄学＂,三是晋宋之际的＂艺术的玄学＂。以正始为代表的曹魏后期文学创作＂有玄无文＂,以太康为代表的西晋前期文学创作＂有文无玄＂,以陶、谢为代表的晋宋之际文学创作＂有文有玄＂。谢灵运就生活在＂艺术的玄学＂的时代,他不仅重＂文＂,＂情必极貌以写物,辞必穷力而追新＂,而且重＂义＂,体现在诗歌创作中,就是其山水诗的＂玄学尾巴＂。
從曹魏後期到晉宋之際,玄學經歷瞭三箇形態的變化。一是曹魏後期的＂政治的玄學＂,二是西晉前期的＂哲學的玄學＂,三是晉宋之際的＂藝術的玄學＂。以正始為代錶的曹魏後期文學創作＂有玄無文＂,以太康為代錶的西晉前期文學創作＂有文無玄＂,以陶、謝為代錶的晉宋之際文學創作＂有文有玄＂。謝靈運就生活在＂藝術的玄學＂的時代,他不僅重＂文＂,＂情必極貌以寫物,辭必窮力而追新＂,而且重＂義＂,體現在詩歌創作中,就是其山水詩的＂玄學尾巴＂。
종조위후기도진송지제,현학경력료삼개형태적변화。일시조위후기적＂정치적현학＂,이시서진전기적＂철학적현학＂,삼시진송지제적＂예술적현학＂。이정시위대표적조위후기문학창작＂유현무문＂,이태강위대표적서진전기문학창작＂유문무현＂,이도、사위대표적진송지제문학창작＂유문유현＂。사령운취생활재＂예술적현학＂적시대,타불부중＂문＂,＂정필겁모이사물,사필궁력이추신＂,이차중＂의＂,체현재시가창작중,취시기산수시적＂현학미파＂。
From the period of late Cao-wei to the period of Jin dynasty and Song dynasty,metaphysics have undergone three changes in their patterns.The first is "political metaphysics" in late Cao-wei period,the second is "philosophy metaphysics" in former western Jin dynasty,the third is"art metaphysics" in the period of Jin dynasty and Song dynasty.In the period of late Cao-wei,literature has metaphysic but no grace.In former western Jin dynasty,literature has grace but no metaphysic.In the period of Jin dynasty and Song dynasty,literature has grace and metaphysic.Xie Lingyun just lived in such a "arts metaphysics" era which appreciating "Wen-Yi" became a fashion tide.Therefore,he not only thought a lot of literature,but also paid more attention to metaphysics.In poems,it shows the controversial "metaphysics tail".
