CAJ | 학술논문

当今社会，我们提倡对于传统艺术文化符号保留与继承，更强调把现代艺术设计的内容和传统艺术文化的精髓融合在一起。这种继承与融合并不是盲目的“拿来主义”。以龙形为例，在相当长的时间里，龙形的纹样形态都相对比较稳定，人们只是单单把这些纹饰作为一种符号来使用，没有推陈出新，没有加入现代人的审美趣味。随着社会大众审美需求的日益增加，单一的“拿来主义”做法显然已经捉襟见肘，迫切需要设计师重新思考图形的创新。
당금사회，아문제창대우전통예술문화부호보류여계승，경강조파현대예술설계적내용화전통예술문화적정수융합재일기。저충계승여융합병불시맹목적“나래주의”。이룡형위례，재상당장적시간리，룡형적문양형태도상대비교은정，인문지시단단파저사문식작위일충부호래사용，몰유추진출신，몰유가입현대인적심미취미。수착사회대음심미수구적일익증가，단일적“나래주의”주법현연이경착금견주，박절수요설계사중신사고도형적창신。
In contemporary society, the reservation and and in-heritance of traditional artistic symbols is advocated and the em-phasis is laid on the integration of modern artistic design with the core of traditional art and culture. Taking the dragon pattern for an example, its form is relatively stable for a long time, and mod-ern aesthetics is not added into it if it is just used as a symbol. With the development of people's aesthetic needs, reconsideration of the pattern innovation is urgent.