CAJ | 학술논문

“灵韵”是德国文学批评家本雅明文艺理论的核心概念。它具有“独一无二性”、“距离”感、经验的“真确性”、对象的“权威性”，以及神秘的“永久性”等特性。从文学人类学的视野阐释这一概念，它具有神话信仰渊源与文学的仪式功能、自然人化的审美经验与生态审美的文学体验、讲故事的口传文学传统与对话性叙事等人类学维度。本雅明灵韵理论凸显了文艺从现代性到后现代性的关联性，能为传统文艺作品的“祛魅”走向数码时代文艺作品的“复魅”提供新的解释，具有重要的诗学价值。
“령운”시덕국문학비평가본아명문예이론적핵심개념。타구유“독일무이성”、“거리”감、경험적“진학성”、대상적“권위성”，이급신비적“영구성”등특성。종문학인류학적시야천석저일개념，타구유신화신앙연원여문학적의식공능、자연인화적심미경험여생태심미적문학체험、강고사적구전문학전통여대화성서사등인류학유도。본아명령운이론철현료문예종현대성도후현대성적관련성，능위전통문예작품적“거매”주향수마시대문예작품적“복매”제공신적해석，구유중요적시학개치。
Aura is the core concept of the German literary critic Walter Benjamin' s literary theory, which has the characteristics of uniqueness, distance, authenticity of experience, authority of objects and the mysterious permanence. Interpreted from a literary anthropological point of view, aura has such anthropological dimensions as mythological origin and literary ritual function, the aesthetic experience of the humanized nature and literary experi- ence of ecological aesthetic, as well as the oral literary tradition of storytelling and dialogic narrative. It is of great poetics value for Waiter Benjamin' s aura theory to highlight the artistic interrelations from modernity to postmodernity, has the important value of poetics, and provide a new interpretation for the change from the “disenchantment” of traditional literary and artistic works to the “reenchantment”in the digital era.