CAJ | 학술논문

黄梅戏《徽州女人》是一部依画作剧的戏曲作品,也是现代黄梅戏艺术的重要剧目,绘画艺术第一次与戏曲艺术邂逅,造就了黄梅戏舞台美术发展中的重要作品。黄梅戏《徽州女人》舞台美术以应天齐的版画作品展开,从剧场前厅设计、舞台布景设计、灯光设计、服装设计等等各个角度,展现了一出光彩强烈的黄梅戏舞台艺术视觉效果。黄梅戏《徽州女人》舞台美术的大胆尝试和艺术创新推动了现代黄梅戏艺术发展,也为黄梅戏艺术与其他艺术门类的融合与借鉴提供思路与方向。
황매희《휘주녀인》시일부의화작극적희곡작품,야시현대황매희예술적중요극목,회화예술제일차여희곡예술해후,조취료황매희무태미술발전중적중요작품。황매희《휘주녀인》무태미술이응천제적판화작품전개,종극장전청설계、무태포경설계、등광설계、복장설계등등각개각도,전현료일출광채강렬적황매희무태예술시각효과。황매희《휘주녀인》무태미술적대담상시화예술창신추동료현대황매희예술발전,야위황매희예술여기타예술문류적융합여차감제공사로여방향。
Women in Huizhou,adapted from an engraving of contemporary artist Ying Tianqi,is one of the most important operas in modern Huangmei Opera.Its uniqueness lies in the interesting encounter between the art of painting and opera,which plays an essential part in the modern Huangmei Opera.The opera sticks to the original style of Ying's work and tends to present a visual feast through the arrangement of the theatre lobby,stage settings,house lights as well as the design of the costumes.The bold and innovative attempt to combine two different kinds of art in one play promotes the development of modern Huangmei Opera;at the same time,it shows ways to the combination and adaption between opera and other genres of art.Stage design,for the first time,becomes the concerns of Huangmei Opera and a milestone in the course of stage design.It is a daring attempt and innovation to comprise the contemporary art and traditional opera in the stage design with regards to the development of Huangmei Opera.