CAJ | 학술논문

从空间批评的理论视角来看，空间不仅是再现的场所，也是生产的场所。蒂莉·奥尔森的短篇小说《我站在这儿熨烫》中，女主人公（母亲）和她女儿艾米莉所属的社会空间为其建构了身份，但她们在其被设定的规训空间里并没有成为被动的牺牲品，相反，她们以沉默为武器，对赋予她们身份属性的规训空间进行反抗，充分体现了美国中下阶层女性勇于追求生命主体性的精神。
종공간비평적이론시각래간，공간불부시재현적장소，야시생산적장소。체리·오이삼적단편소설《아참재저인의탕》중，녀주인공（모친）화저녀인애미리소속적사회공간위기건구료신빈，단저문재기피설정적규훈공간리병몰유성위피동적희생품，상반，저문이침묵위무기，대부여저문신빈속성적규훈공간진행반항，충분체현료미국중하계층녀성용우추구생명주체성적정신。
This essay approaches Tillie Olsen’s well-known short story I stand Here Ironing from the per-spective of space theory and explores Emily and her mother’s identity constructed by the disciplined social space.We argue that rather than being overwhelmed by silence and submitted to the normalized identity,Emily and her mother take silence as a revolt.During this process,they gain their courage and motivation to challenge the disciplined identity and struggle for their own subjectivity and identity in the home,the space of rehabilitation.