CAJ | 학술논문

在余华的小说中，“父亲”形象在“父子互审”的叙述中总是处在突出的位置，然而读者以及评论者往往忽视其作品中的“母亲”形象，她们以脆弱的生命状态承受着来自“父亲”的暴力折磨，却因无法摆脱束缚在她们身上的锁链而对“父亲”作彻底的反抗，最终只能在“父亲”的背影里哭泣。将视点聚焦到余华小说的母亲形象上，透过“父亲”主导的世界，对其笔下母亲呈现出的孱弱、受虐、依附的形象特征进行分析，可以进一步探讨余华对于母亲形象的创作态度。
재여화적소설중，“부친”형상재“부자호심”적서술중총시처재돌출적위치，연이독자이급평론자왕왕홀시기작품중적“모친”형상，저문이취약적생명상태승수착래자“부친”적폭력절마，각인무법파탈속박재저문신상적쇄련이대“부친”작철저적반항，최종지능재“부친”적배영리곡읍。장시점취초도여화소설적모친형상상，투과“부친”주도적세계，대기필하모친정현출적잔약、수학、의부적형상특정진행분석，가이진일보탐토여화대우모친형상적창작태도。
The image of “father” is always in a prominent position in the narration of “father-son mutual inspection”in Yu Hua's stories. However, readers and critics tend to neglect the image of“mother”, who suffers the“father’s”violent torture in a fragile state of life. They could not get rid of the bound on them and the“father”to make a thorough rebellion, only shedding tears under“father’s” shadow. This paper focuses on the mother image in Yu Hua’s novels, and analyzes the mother’s weak, battered, and attached image, then discusses Yu Hua’s view of literary creation.