CAJ | 학술논문

民国初年，伴随着社会转型，作家的主体意识发生变化，无论是自觉承担启蒙济世的的重任，还是对小说使命的认知，均与传统迥异。这种变化影响到小说创作，既产生了新的形象，也促使内蕴更新，凸显出人本意识；同时导致小说叙事特征的变革，限知叙事视角的引入、“革命＋恋爱”叙事模式的产生以及心理描写等叙事特征的嬗变，凸现出中国小说现代化的特质。
민국초년，반수착사회전형，작가적주체의식발생변화，무론시자각승담계몽제세적적중임，환시대소설사명적인지，균여전통형이。저충변화영향도소설창작，기산생료신적형상，야촉사내온경신，철현출인본의식；동시도치소설서사특정적변혁，한지서사시각적인입、“혁명＋연애”서사모식적산생이급심리묘사등서사특정적선변，철현출중국소설현대화적특질。
In the early republic of China, with the social transformation, the writer's main consciousness has changed, whether it is willing to be charged of the task of the enlightenment of benefiting mankind, or the cognition of novels, mission, all with tradition is different. The changes affect the novel creation, both on creating a new image, also making update implication and highlight the humanistic consciousness. At the same time they lead to change of novel narrative characteristics, are restricted to the introduction of narrative perspective, the change of the narrative character- istics the generation of "revolution + love" narrative mode and such as psychological description and so on protruding the characteristics of modem Chinese novel.