CAJ | 학술논문

作为30年代城市文学的代表，新感觉派小说中出现了一个游荡者群体，他们游荡于碎片化的空间与加速行进的时间中，体验着城市之流中的沉醉、自由与悲观怀疑，但仍然义无返顾地投入并追逐着都市消费文化。作为30年代上海现代性的直接观察者与体验者，这些游荡者们并没有对城市文化本身作过多的反思，半殖民地的社会与文化处境先在地设定了西方文化的优先地位，都市及其“颓废”，在游荡者们看来，都是“时代列车”前进的方向。
작위30년대성시문학적대표，신감각파소설중출현료일개유탕자군체，타문유탕우쇄편화적공간여가속행진적시간중，체험착성시지류중적침취、자유여비관부의，단잉연의무반고지투입병추축착도시소비문화。작위30년대상해현대성적직접관찰자여체험자，저사유탕자문병몰유대성시문화본신작과다적반사，반식민지적사회여문화처경선재지설정료서방문화적우선지위，도시급기“퇴폐”，재유탕자문간래，도시“시대열차”전진적방향。
A group of flaneurs appeared in, as a representative of the 30' s city literature , New Felling Novels. They wandered in the fragmentized space and accelerated time, experienced intoxication, freedom and pessimism and dout, and chased after urban consumer culture without remorse. They didn' t reflect on urban culture itself much as the observer and experiencer for the modernity of 30' s Shanghai, as the social and culture situation of semi - colony settled the priority of western culture. City and its' decadence, in the flaneurs' opinion, were both what the speeding train of the era move toward.