宜宾学院学报
宜賓學院學報
의빈학원학보
JOURNAL OF YIBIN UNIVERSITY
2012年
9期
49-52,65
,共5页
《所罗门之歌》%怪诞%陌生化%惊奇感%张力
《所囉門之歌》%怪誕%陌生化%驚奇感%張力
《소라문지가》%괴탄%맥생화%량기감%장력
Song of Solomon%grotesque%defamiliarization%amazement%tension
托尼.莫里森在《所罗门之歌》中为塑造怪诞型人物运用了陌生化技巧和夸张修辞操作手段,成功地创造怪诞审美范畴的审美价值———惊奇感。小说中审美范畴怪诞的恐惧性和再生性融为一体,从而形成了怪诞的肯定性和否定性之间的辩证张力。
託尼.莫裏森在《所囉門之歌》中為塑造怪誕型人物運用瞭陌生化技巧和誇張脩辭操作手段,成功地創造怪誕審美範疇的審美價值———驚奇感。小說中審美範疇怪誕的恐懼性和再生性融為一體,從而形成瞭怪誕的肯定性和否定性之間的辯證張力。
탁니.막리삼재《소라문지가》중위소조괴탄형인물운용료맥생화기교화과장수사조작수단,성공지창조괴탄심미범주적심미개치———량기감。소설중심미범주괴탄적공구성화재생성융위일체,종이형성료괴탄적긍정성화부정성지간적변증장력。
In Song of Solomon,Toni Morrison is to create efficient aesthetic effects of Grotesque;the narrative techniques such as defamiliarization and hyperbole have been employed by Morrison,and Morrison has successfully established the dialectic tension between the affirmative sides and deconstructive sides in Grotesque to be deconstructive is for the future renewal