宜宾学院学报
宜賓學院學報
의빈학원학보
JOURNAL OF YIBIN UNIVERSITY
2012年
9期
43-48
,共6页
范仲淹形象%古典戏曲%文化政策%社会舆论%审美需求
範仲淹形象%古典戲麯%文化政策%社會輿論%審美需求
범중엄형상%고전희곡%문화정책%사회여론%심미수구
Fan Zhongyan's image%classical opera%cultural policy%public opinion%aesthetic demand
宋代名臣范仲淹,多次出现于元明时期的戏曲作品中,集中表现为三类典型形象:贤明官员、仁德典范和风流文士。早期戏曲中的范仲淹形象和正史记载保持着相当的一致性,而入明以后又有了新的变化。导致范仲淹形象在戏曲作品中最终消失的原因在于明清时期的文化政策、士人阶层所主导的社会舆论和下层民众审美需求的导向作用。戏曲中范仲淹形象的变迁,从一个侧面反映了元杂剧阶段的古典戏曲,无论在题材还是趣味上都迥异于后世作品。
宋代名臣範仲淹,多次齣現于元明時期的戲麯作品中,集中錶現為三類典型形象:賢明官員、仁德典範和風流文士。早期戲麯中的範仲淹形象和正史記載保持著相噹的一緻性,而入明以後又有瞭新的變化。導緻範仲淹形象在戲麯作品中最終消失的原因在于明清時期的文化政策、士人階層所主導的社會輿論和下層民衆審美需求的導嚮作用。戲麯中範仲淹形象的變遷,從一箇側麵反映瞭元雜劇階段的古典戲麯,無論在題材還是趣味上都迥異于後世作品。
송대명신범중엄,다차출현우원명시기적희곡작품중,집중표현위삼류전형형상:현명관원、인덕전범화풍류문사。조기희곡중적범중엄형상화정사기재보지착상당적일치성,이입명이후우유료신적변화。도치범중엄형상재희곡작품중최종소실적원인재우명청시기적문화정책、사인계층소주도적사회여론화하층민음심미수구적도향작용。희곡중범중엄형상적변천,종일개측면반영료원잡극계단적고전희곡,무론재제재환시취미상도형이우후세작품。
The image of Fan Zhong-yan,a generation of famous official,is repeatedly played in the Chinese opera in Yuan Dynasty and Ming Dynasty.There are three typical images of performance,namely wise official,paragons of virtue,and romantic literati.There are a lot of consistency with Fan Zhong-yan image in early operas and in the official history,However,there are new changes in the Ming Dynasty.There are three factors that lead to the disappear of Fan Zhongyan's image in the classical opera such as the cultural policy of the Ming Dynasty and the Qing Dynasty,the public opinion of the literature,and aesthetic demand of the lower classes.The evolution of Fan Zhongyan's images in the classical opera reflect the unique nature of the Yuan-zaju in terms of subject matter or taste different from the later works.