CAJ | 학술논문

虚构与非虚构的并行不悖，是美国当代作家诺曼·梅勒作品中一个显著特征。他通过叙事视角的选择，将个人的经历客观化与非虚构化；通过类似史学家的史料收集以及凭籍史料得出结论的态度，突出了非虚构文本创作的要求；同时，用小说家的语言与手段将真实生活中摄取的史实融汇成篇。这样，文本实现了虚构与非虚构之间的穿越，消解了传统的历史与小说之间那种泾渭分明的界限与分离，为重构当代小说艺术中一种独特的叙事风格而展示了他独特的艺术风采。
허구여비허구적병행불패，시미국당대작가낙만·매륵작품중일개현저특정。타통과서사시각적선택，장개인적경력객관화여비허구화；통과유사사학가적사료수집이급빙적사료득출결론적태도，돌출료비허구문본창작적요구；동시，용소설가적어언여수단장진실생활중섭취적사실융회성편。저양，문본실현료허구여비허구지간적천월，소해료전통적역사여소설지간나충경위분명적계한여분리，위중구당대소설예술중일충독특적서사풍격이전시료타독특적예술풍채。
The coexistence of fiction and nonfiction is a distinctive characteristic in Norman Mailer's lit-erary creation. The choice of narrative perspectives in Mailer's works objectivizes his personal experiences. The devoted data collection, field investigation and the process of conclusion based on mere facts are charac-teristics of a historian. While creating his texts,Mailer uses his novelistic language and instruments to cross-over the boundary between nonfictional historical data and fictional literary texts so as to restructure a unique form of writing embracing both fiction and nonfiction.