枣庄学院学报
棘莊學院學報
조장학원학보
JOURNAL OF ZAOZHUANG UNIVERSITY
2012年
6期
16-19
,共4页
莫言%灵幻现实主义
莫言%靈幻現實主義
막언%령환현실주의
MO Yan%Hallucinatory realism
用"灵幻现实主义"来概括莫言的小说,一方面突出幻觉、幻想、幻象的意蕴,一方面又与"魔幻现实主义"相区别。从《生死疲劳》的思想内容上看,讲的是灵魂转世生命轮回,由亡灵一次次投胎成动物和人的故事,"灵"一词令人联想到灵魂、幽灵、鬼魂、生灵、神灵、亡灵、灵灭、显灵等,说"灵幻现实主义",既与这部小说故事情节相契合,又符合中国传统文化心理和审美情趣。二是从艺术表现手法上看,灵魂的六道轮回这一灵巧的艺术形式起到四两拨千斤的艺术效果,五十年时间跨度的中国社会风云举重若轻,游刃有余。"灵幻"让我们想到灵感、精灵、机灵、空灵、灵怪、灵异、灵光、灵活、灵机、灵敏、灵气、灵巧、灵通、通灵、灵犀、灵性等等。而这些词汇、概念的综合恰恰是莫言小说的一种独一无二的特质。作家莫言有着一颗敏感、灵敏、机灵的赤子之心,他一进入写作状态就像充满灵性的精灵,灵感泉涌,灵气四溢,灵异万端,达到空灵的艺术境界。
用"靈幻現實主義"來概括莫言的小說,一方麵突齣幻覺、幻想、幻象的意蘊,一方麵又與"魔幻現實主義"相區彆。從《生死疲勞》的思想內容上看,講的是靈魂轉世生命輪迴,由亡靈一次次投胎成動物和人的故事,"靈"一詞令人聯想到靈魂、幽靈、鬼魂、生靈、神靈、亡靈、靈滅、顯靈等,說"靈幻現實主義",既與這部小說故事情節相契閤,又符閤中國傳統文化心理和審美情趣。二是從藝術錶現手法上看,靈魂的六道輪迴這一靈巧的藝術形式起到四兩撥韆斤的藝術效果,五十年時間跨度的中國社會風雲舉重若輕,遊刃有餘。"靈幻"讓我們想到靈感、精靈、機靈、空靈、靈怪、靈異、靈光、靈活、靈機、靈敏、靈氣、靈巧、靈通、通靈、靈犀、靈性等等。而這些詞彙、概唸的綜閤恰恰是莫言小說的一種獨一無二的特質。作傢莫言有著一顆敏感、靈敏、機靈的赤子之心,他一進入寫作狀態就像充滿靈性的精靈,靈感泉湧,靈氣四溢,靈異萬耑,達到空靈的藝術境界。
용"령환현실주의"래개괄막언적소설,일방면돌출환각、환상、환상적의온,일방면우여"마환현실주의"상구별。종《생사피로》적사상내용상간,강적시령혼전세생명륜회,유망령일차차투태성동물화인적고사,"령"일사령인련상도령혼、유령、귀혼、생령、신령、망령、령멸、현령등,설"령환현실주의",기여저부소설고사정절상계합,우부합중국전통문화심리화심미정취。이시종예술표현수법상간,령혼적륙도륜회저일령교적예술형식기도사량발천근적예술효과,오십년시간과도적중국사회풍운거중약경,유인유여。"령환"양아문상도령감、정령、궤령、공령、령괴、령이、령광、령활、령궤、령민、령기、령교、령통、통령、령서、령성등등。이저사사회、개념적종합흡흡시막언소설적일충독일무이적특질。작가막언유착일과민감、령민、궤령적적자지심,타일진입사작상태취상충만령성적정령,령감천용,령기사일,령이만단,체도공령적예술경계。
To epitomize MO Yang novels employing hallucinatory realism, on the one hand, can lay stress on the underlying connotations of hallucination and phantom, and differentiate it from magic realism on the other hand. The novel of Life and Death Are Wearing Me Out revolves around the transmigration of souls and the circle of life, telling the stories about souls reincamated into animals or human beings repeatedly. The word spirit itself will inevitably remind us of its associative meanings as soul, ghost, spectre, lkisudama, deities, kycoo the ghost destroyers, epiphany, etc. As a consequence, the hallucinatory realism is not merely in harmony with the plots of the novel, but also playing up to the psychology of the Chinese traditional culture and aesthetic sentiment. In terms of art expression perspective, the ingenious art form of Six Lines from Samsara has greatly achieved a skillfully deflected artistic effect. In this novel, Mo Yan lifts a heavy weight as if light concerning the incessantly chaning Chinese social eirmustances within 50 years time span. On hearing the word hallucinatory, we will naturally think of afflatus, genius, smartness, jinn, supernatural spirit, dexterity, inwardness, brainwave, sensitiveness, and so forth. The synthesization of these vocabularies and concepts precisely manifests the unparalleled peculiarities of MO Yang novels. As a celebrated writer, Mo Yan has the sensitive and shrewd innocent heart of a child -- utter innocence. As soon as he gets into the flow of writing, he behaves just like a genius teeming with spirituality, whose mind will run wildly in a unchecked manner, and ultimately into a ethereal artistic realm.