CAJ | 학술논문

“运河伞棒舞”是聊城地区最具代表性的民间舞蹈。“运河伞棒舞”历史悠久，风格特点独特，具有鲜明的地方特色，展现了原汁原味的风土人情。它作为民间艺术的瑰宝至今仍活跃在鲁西大地上。文化是无国界的，应该将“伞棒舞”在更大、更宽广的舞台上展示出来，让更多的人认识、熟悉它，并进行交流，从而使其能够有更好的发展和传承。如果将这种文化资源转化成生产力，带来经济效益，则可以用这些资金来进行这类民间文化遗产的发掘和保护工作。
“운하산봉무”시료성지구최구대표성적민간무도。“운하산봉무”역사유구，풍격특점독특，구유선명적지방특색，전현료원즙원미적풍토인정。타작위민간예술적괴보지금잉활약재로서대지상。문화시무국계적，응해장“산봉무”재경대、경관엄적무태상전시출래，양경다적인인식、숙실타，병진행교류，종이사기능구유경호적발전화전승。여과장저충문화자원전화성생산력，대래경제효익，칙가이용저사자금래진행저류민간문화유산적발굴화보호공작。
"The canal umbrella great dance" is the most representative folk dance in Liaocheng area. It has a long history and unique style characteristics which characterized by the local characteristics showing the local conditions and customs of authentic. It is still very popular in the western Shandong province as a folk art treasures. Culture is without borders. The author argues that the "umbrella great dance" should be showed in a much larger and broader stage that everyone can know it and make it a better development and heritage. If the cultural resources could be changed into the productive forces and brought economic benefits, the funds then could be used for this kind of folk cultural heritage administration and protection work. This paper is mainly focused on exploring and analyzing the living environment, art characteristics and the existence value of the "canal umbrella great dance" and proposing the way to protect them.