CAJ | 학술논문

美国印第安诗歌经历了一个主流文学排斥、歧视、忽视、接纳、支持的漫长历史过程。在二十世纪六七十年代＂红种人权力运动＂和＂美国印第安文艺复兴＂的影响和推动下,得到了空前的发展,出现了多位印第安诗歌史上杰出的诗人,乔伊·哈娇便是其中一位。在其诗歌创作中,哈娇拒绝主流文化的同化,在书写中回归印第安传统,融合印第安文化中独有的＂说故事＂和＂灵视＂等印第安传统和宇宙观,在部族文化的同时,重新追求部族及个人的自我定位。
미국인제안시가경력료일개주류문학배척、기시、홀시、접납、지지적만장역사과정。재이십세기륙칠십년대＂홍충인권력운동＂화＂미국인제안문예복흥＂적영향화추동하,득도료공전적발전,출현료다위인제안시가사상걸출적시인,교이·합교편시기중일위。재기시가창작중,합교거절주류문화적동화,재서사중회귀인제안전통,융합인제안문화중독유적＂설고사＂화＂령시＂등인제안전통화우주관,재부족문화적동시,중신추구부족급개인적자아정위。
American Indian poems have been rejected,despised,adopted,and finally supported by the mainstream when it moves with the times.Influenced and propelled by the Red Power Movement and American Indian Renaissance,American Indian poems enjoyed an unprecedented development during the 1960s and 1970s.As his contemporary great Indian poets,Joy Harjo refuses to be assimilated by the dominant culture and advocates return to Indian traditions in her poem-writing which features unique Indian culture and tradition such as Storytelling and Vision.In inheriting tribal heritage,Hajor pursues tribal and individual self-orientation.