CAJ | 학술논문

莆田地区的宗教信仰蓬勃发展，而当地的神像雕刻工艺普及，民间艺人辈出，其中的道教神像雕刻不啻是一项珍贵的艺术品。文章拟从道教神像信仰的源流、题材内容、艺术审美方面展开论述，分忻神像雕刻匠师的创作手法和审美理念，及具有地域特色神像雕刻的艺术美学，由道教信仰所产生的神像雕刻所代表的历史意义。
보전지구적종교신앙봉발발전，이당지적신상조각공예보급，민간예인배출，기중적도교신상조각불시시일항진귀적예술품。문장의종도교신상신앙적원류、제재내용、예술심미방면전개논술，분흔신상조각장사적창작수법화심미이념，급구유지역특색신상조각적예술미학，유도교신앙소산생적신상조각소대표적역사의의。
Along with the boom of religious beliefs has come the popularization of the local statue carving craft and the emergence of numerous folk artists, of which the Taoist statuary is nothing less than a precious work of art. This paper attempts to discuss and analyze the creative approach and aesthetic philosophy of religious statuary craftsmen in terms of the origin, the subject matter, the content, and the artistic aesthetics of the Taoist statue belief. Moreover, the paper also touches upon the art aesthetics of statue carving with regional features and the historical significance symbolized by statute carving resulting from Taoist belief.