海南师范大学学报：社会科学版
海南師範大學學報：社會科學版
해남사범대학학보：사회과학판
2012年
9期
106-111
,共6页
宝塜歌剧团%性别主张%男性意志
寶塜歌劇糰%性彆主張%男性意誌
보봉가극단%성별주장%남성의지
Takarazuka Revue Company%gender view%the will of men
宝塜歌剧团历经百年日益壮大，被誉为东瀛百老汇，与四季剧团、东宝公司、松竹公司并称为日本演剧界四强，且蜚声国际。宝塜歌剧团应女人的需求而成立，但被男人们全面掌控；全女班的舞台表演，但演绎的是男人故事；女性化的华丽歌舞，但体现的是男人意志；虽然表现了日本女性的觉醒与自立，但难以改变其男人附属的宿命——这就是文章从女性主义的角度试图诠释其中的疑惑和要揭示的主题。
寶塜歌劇糰歷經百年日益壯大，被譽為東瀛百老彙，與四季劇糰、東寶公司、鬆竹公司併稱為日本縯劇界四彊，且蜚聲國際。寶塜歌劇糰應女人的需求而成立，但被男人們全麵掌控；全女班的舞檯錶縯，但縯繹的是男人故事；女性化的華麗歌舞，但體現的是男人意誌；雖然錶現瞭日本女性的覺醒與自立，但難以改變其男人附屬的宿命——這就是文章從女性主義的角度試圖詮釋其中的疑惑和要揭示的主題。
보봉가극단력경백년일익장대，피예위동영백로회，여사계극단、동보공사、송죽공사병칭위일본연극계사강，차비성국제。보봉가극단응녀인적수구이성립，단피남인문전면장공；전녀반적무태표연，단연역적시남인고사；녀성화적화려가무，단체현적시남인의지；수연표현료일본녀성적각성여자립，단난이개변기남인부속적숙명——저취시문장종녀성주의적각도시도전석기중적의혹화요게시적주제。
After its development for a century Takarazuka Revue Company has become increasingly influential and has been crowned as the Broadway in Japan, thus having been jointly honoured as four elite companies along with Four Season Theatre Company, Toho Company and Shochiku Company in the Japanese theatrical circles and been famous worldwide. Desipte its establishment in response to the needs of females, Takarazuka Revue Company is in the full control of males; while males' stories are narrated though its theatrical performance is conducted by female actresses. Moreover, males' will is often expressed under its gorgeous feminine songs and dance, whereas its theatrical performace has highlighted the awakening and independence of females but failed to alter the fate of males as subordinates. This is the very confusion and topic this paper attempts to interpret and expound in the per-spective of feminism.
