CAJ | 학술논문

据我国古代文献记载，古有三易（《连山》《归藏》《周易》）传说，一般认为伏羲时代施行《连山》易，黄帝时代施行《归藏》易。《归藏》易的特点是重视坤卦，坤为地、属阴，故《归藏》易是一种贵坤崇阴、重视大地和母性的易学。史前考古文化中有仰韶文化庙底沟类型的特征性器物与黄帝行《归藏》易崇阴贵坤的传说相吻合，牛河梁遗址晚期遗存是仰韶文化庙底沟类型与当地原生的以龙纹为特征的红山诸文化碰撞融合而产生的文明火花。牛河梁遗址庙、坛、冢从宏观设计、局部布局、器物造型等各方面都反映出成熟的崇阴贵坤的《归藏》易特征，表现出与黄帝易学传说具有强烈的对应关联。
거아국고대문헌기재，고유삼역（《련산》《귀장》《주역》）전설，일반인위복희시대시행《련산》역，황제시대시행《귀장》역。《귀장》역적특점시중시곤괘，곤위지、속음，고《귀장》역시일충귀곤숭음、중시대지화모성적역학。사전고고문화중유앙소문화묘저구류형적특정성기물여황제행《귀장》역숭음귀곤적전설상문합，우하량유지만기유존시앙소문화묘저구류형여당지원생적이룡문위특정적홍산제문화팽당융합이산생적문명화화。우하량유지묘、단、총종굉관설계、국부포국、기물조형등각방면도반영출성숙적숭음귀곤적《귀장》역특정，표현출여황제역학전설구유강렬적대응관련。
According to the record of ancient literature in China, there were three books of changes legend named “Lianshan”,“Guicang” and “Zhouyi”. It is generally believed that the spirit of “Lianshan” was performed in the Fu Xi era and that of“Guicang” in the era of Yellow Emperor. “Guicang” pays much attention to Kun which refers to the land belonging to Yin, the feminine, therefore "Guicang" expresses the idea of adoring Kun and feminine, attaching more importance to the land and the maternal classic. There was an account in prehistoric archaeological culture that the typical objects of Yangshao culture of Miaodigou coincided with the legend of Yellow Emperor “Guicang” which advocates the feminine and Kun. The later remains of Niuheliang Site makes the civilization sparks mixed by the collision between Yangshao culture of Miaodigou type and Hongshan culture characterized by dragon lines. The items of temples, altars and graves discovered in Niuheliang Site have reflected the mature feature that the land and feminine are worshiped in accordance with the theory of the Book of Changes from the aspects of macro-design, partial arrangement and formation of articles, showing strong association with the Yellow Emperor legend.