CAJ | 학술논문

认知图绘是杰姆逊的术语，这一措辞强调了对政治和实践阐述规划的政治需求。认知图绘的需要从某种程度上说是来自个人与社会“完美比重”的幻想仍旧有待考量，这一美学旗号下产生的理论或许可以使得个人主体和集体看清他们在全球化世界中所处的位置。唯有认识到资本主义与它地理上分化形态的不平均状态，才能避免造成个人与政治要经济、经验与抽象的断裂，从不同形式与层面运用认知图绘，并解决它所带来的问题。
인지도회시걸모손적술어，저일조사강조료대정치화실천천술규화적정치수구。인지도회적수요종모충정도상설시래자개인여사회“완미비중”적환상잉구유대고량，저일미학기호하산생적이론혹허가이사득개인주체화집체간청타문재전구화세계중소처적위치。유유인식도자본주의여타지리상분화형태적불평균상태，재능피면조성개인여정치요경제、경험여추상적단렬，종불동형식여층면운용인지도회，병해결타소대래적문제。
Fredric Jameson employs cartographies of the absolute, with reference to what he calls “the aesthetic of cognitive mapping”. The phrase stressed the political need for its elaboration in both theory and practice. It remains to be ascertained to what degree the very desire for cognitive mapping is haunted by the fantasy of a “perfect ratio” between the personal and the social. The works that would emerge under the banner of this aesthetic would enable individual subjects and collectivities to make their local situation in a globalized world intelligible. Only when the unevenness of capitalism and its geographically-differentiated formations has been focused, can we avoid the disjunction between the personal and the political-economic, experience and abstraction, and overcome the problems of cognitive mapping.