科教文汇
科教文彙
과교문회
EDUCATION SCIENCE & CULTURE MAGAZINE
2013年
16期
1-11
,共11页
《谜窟疑踪》%中西文化%融合
《謎窟疑蹤》%中西文化%融閤
《미굴의종》%중서문화%융합
"The Mysterious Trace of the Grotto"%Chinese and Western cultures%integration
文化是一个外延广阔的概念,是人类社会在历史实践的过程中所创造的物质财富、精神财富和相应的创造才能的总和,对于人类的重要性不言而喻。文化交流是人类社会相互交往的产物,更是文化发展的重要途径。现阶段,随着人类交往的广度和深度不断增大,中西文化交流的规模越来越大,速度越来越快,层次也越来越深,这也是人类文化发展的规律。方兆祥先生的《谜窟疑踪》以黄山花山谜窟与末日传说为叙事背景,讲述了西班牙人桑德罗远渡重洋来到黄山寻根问祖、破解地球末日之谜的故事,为读者展现了一幅魔幻现实主义的生动画卷。笔者从中西文化和谐共生的视角切入,以丹纳的艺术三因素说为理论基础,阐释小说中种族、时代、环境的文化内涵,并以此为基础分析作品中中西文化交流与碰撞的具体表现,再由作者的中西文化互释,反思中西文化融合的人文意义。
文化是一箇外延廣闊的概唸,是人類社會在歷史實踐的過程中所創造的物質財富、精神財富和相應的創造纔能的總和,對于人類的重要性不言而喻。文化交流是人類社會相互交往的產物,更是文化髮展的重要途徑。現階段,隨著人類交往的廣度和深度不斷增大,中西文化交流的規模越來越大,速度越來越快,層次也越來越深,這也是人類文化髮展的規律。方兆祥先生的《謎窟疑蹤》以黃山花山謎窟與末日傳說為敘事揹景,講述瞭西班牙人桑德囉遠渡重洋來到黃山尋根問祖、破解地毬末日之謎的故事,為讀者展現瞭一幅魔幻現實主義的生動畫捲。筆者從中西文化和諧共生的視角切入,以丹納的藝術三因素說為理論基礎,闡釋小說中種族、時代、環境的文化內涵,併以此為基礎分析作品中中西文化交流與踫撞的具體錶現,再由作者的中西文化互釋,反思中西文化融閤的人文意義。
문화시일개외연엄활적개념,시인류사회재역사실천적과정중소창조적물질재부、정신재부화상응적창조재능적총화,대우인류적중요성불언이유。문화교류시인류사회상호교왕적산물,경시문화발전적중요도경。현계단,수착인류교왕적엄도화심도불단증대,중서문화교류적규모월래월대,속도월래월쾌,층차야월래월심,저야시인류문화발전적규률。방조상선생적《미굴의종》이황산화산미굴여말일전설위서사배경,강술료서반아인상덕라원도중양래도황산심근문조、파해지구말일지미적고사,위독자전현료일폭마환현실주의적생동화권。필자종중서문화화해공생적시각절입,이단납적예술삼인소설위이론기출,천석소설중충족、시대、배경적문화내함,병이차위기출분석작품중중서문화교류여팽당적구체표현,재유작자적중서문화호석,반사중서문화융합적인문의의。
@@@@Culture, a concept with a broad extension, is the total of material and spiritual wealth and corresponding creative talents in historical practice of human society, so it is crucially important for human beings. Cultural exchange is the product of interactions in the human society, as well as an important approach of cultural development. In the current stage, with the continuous increasing width and depth of human communication, the scale of Chinese and Western cultural exchange is larger and larger, making its speed faster and faster and level deeper and deeper, which is also the rule of the development of human culture. With Huashan Grotto of Huangshan and the doomsday legends as the narrative background, Mr. Fang Zhaoxiang, in his novel "The Mysterious Trace of the Grotto", narrates a story about three Spanishes, who came to Huangshan to quest the mystery of the doomsday. The novel shows the readers a vivid picture of Magical Realism. With the harmonious development of Chinese and Western cultures as the breakthrough point, the writer interprets the cultural connota-tion of race, age, and environment in this novel, based on the theory of Dana's three elements of art. Based on the theory, the write also analyzes the specific performance of Chinese and Western cultural exchange and collision, and reflects on the hu-manistic significance of the integration of Chinese and Western cultures from the perspective of the narrator's mutual interpreta-tion of Chinese and Western cultures.