纺织导报
紡織導報
방직도보
CHINA TEXTILE LEADER
2013年
6期
102-103
,共2页
汉族%传统男装%装饰文化
漢族%傳統男裝%裝飾文化
한족%전통남장%장식문화
Han nationality%traditional men’s wear%decoration culture
立足于传统服饰精粹在今天的传承与发展，通过调研对以汉族高级贵族为代表的传统男装装饰文化进行了系统研究。首先明确了基本概念，而后研究了其装饰元素、装饰形制规范、装饰思想及手法。认为它是以儒学思想为指导的造型艺术文化，是以“合乎天道”为终极原则的装饰文化。
立足于傳統服飾精粹在今天的傳承與髮展，通過調研對以漢族高級貴族為代錶的傳統男裝裝飾文化進行瞭繫統研究。首先明確瞭基本概唸，而後研究瞭其裝飾元素、裝飾形製規範、裝飾思想及手法。認為它是以儒學思想為指導的造型藝術文化，是以“閤乎天道”為終極原則的裝飾文化。
립족우전통복식정수재금천적전승여발전，통과조연대이한족고급귀족위대표적전통남장장식문화진행료계통연구。수선명학료기본개념，이후연구료기장식원소、장식형제규범、장식사상급수법。인위타시이유학사상위지도적조형예술문화，시이“합호천도”위종겁원칙적장식문화。
Based on analyzing today’s inheritance and development of Chinese traditional costume, the paper carries out a systematic study on Chinese traditional men’s costume wore by aristocrat in Han Dynasty (206BC—220AD). It first introduces the basic concept and then discusses the decorative elements, decoration form system and specifications as well as the ideology and methods of decoration. The author deems this traditional costume culture as a molding art based on Confucianism and a decoration culture that regards the conformity with the“Way of Heaven”as the ultimate principle.
