阅江学刊
閱江學刊
열강학간
YUEJIANG ACADEMIC JOURNAL
2014年
2期
128-134
,共7页
傩戏面具%非物质文化遗产%类型学%转换机制
儺戲麵具%非物質文化遺產%類型學%轉換機製
나희면구%비물질문화유산%류형학%전환궤제
Nuo opera mask%intangible cultural heritage%typology%transformation mechanism
傩戏面具是傩仪与戏剧表演相结合的民俗艺术形式,作为中国文化的另类记号,它有自己一整套程式化、结构化的记号概念和演述系统。根据傩戏面具的纹样图案、五官造型考察傩戏面具的层级迁延与群落形态的类型学意义及其细节特质,有助于我们进一步认知这一借由行动和表演形成的、与固有的文字书写史相区别的另一维度的演述史。傩戏围绕面具完成了艺术与宗教、物质与非物质的转换机制,演述着与人有关、与天堇有关、与神鸟有关、与人类精神愉悦与灵魂自由有关的密码记号---待时而动、知行合一、超越现世苦难、自由在地行走。傩戏面具的背后蕴含着穿透历史与时光的非物质之“道”。
儺戲麵具是儺儀與戲劇錶縯相結閤的民俗藝術形式,作為中國文化的另類記號,它有自己一整套程式化、結構化的記號概唸和縯述繫統。根據儺戲麵具的紋樣圖案、五官造型攷察儺戲麵具的層級遷延與群落形態的類型學意義及其細節特質,有助于我們進一步認知這一藉由行動和錶縯形成的、與固有的文字書寫史相區彆的另一維度的縯述史。儺戲圍繞麵具完成瞭藝術與宗教、物質與非物質的轉換機製,縯述著與人有關、與天堇有關、與神鳥有關、與人類精神愉悅與靈魂自由有關的密碼記號---待時而動、知行閤一、超越現世苦難、自由在地行走。儺戲麵具的揹後蘊含著穿透歷史與時光的非物質之“道”。
나희면구시나의여희극표연상결합적민속예술형식,작위중국문화적령류기호,타유자기일정투정식화、결구화적기호개념화연술계통。근거나희면구적문양도안、오관조형고찰나희면구적층급천연여군락형태적류형학의의급기세절특질,유조우아문진일보인지저일차유행동화표연형성적、여고유적문자서사사상구별적령일유도적연술사。나희위요면구완성료예술여종교、물질여비물질적전환궤제,연술착여인유관、여천근유관、여신조유관、여인류정신유열여령혼자유유관적밀마기호---대시이동、지행합일、초월현세고난、자유재지행주。나희면구적배후온함착천투역사여시광적비물질지“도”。
Nuo opera mask is a combination folk art form of Nuo and drama. As an offbeat mark of Chinese culture, it has a set of stylized, structured mark concept and system. To investigate significance and detailed characteristics of persistent and community level of Nuo opera masks from the mask patterns and features will contribute to our further cognition of another dimension of the history of differences between Nuo opera which is formed by action and performance, and natural writing history of natural language. By via of masks, Nuo opera completes a transformation mechanism of art and religion, matter and antimatter, performs a password mask that is related to human being, Days of cordierite, pleasure of human spirit and freedom of soul--Bide one?s time, and beyond this life, suffering, free to walk. The Nuo mask contains an intangible way that can pass through time and history.