CAJ | 학술논문

?月夜?和?月光?的创作分别处在中西音乐变革期，有着丰富的创新精神。两者通过二胡和钢琴两种完全不同的乐器诠释作品，中西“月亮文化”的差异影响了两首乐曲的审美意境和曲式。从音乐美学的角度讲，两者蕴含着不同的音乐文化底蕴，以中西方对月亮不同的诗学追求，表达了不同的“月”境。
?월야?화?월광?적창작분별처재중서음악변혁기，유착봉부적창신정신。량자통과이호화강금량충완전불동적악기전석작품，중서“월량문화”적차이영향료량수악곡적심미의경화곡식。종음악미학적각도강，량자온함착불동적음악문화저온，이중서방대월량불동적시학추구，표체료불동적“월”경。
Two kinds of moonlight created in Chinese and western musical age were in the spirit of innovation. Due to different cultures between China and the west the erhu and the piano were used in order to make musical interpretation,and they thus made an appreciable difference to music aesthetic conception and form. In terms of music aesthetics,the two‘moonlights’ contained rich music culture connotation,displayed different poetic pursuits and expressed different moods of "moonlight".