CAJ | 학술논문

　　克孜尔壁画中的弹拨乐器，主要有箜篌、琵琶和阮咸等种类。它们在乐队组合中的构成、功能也是多样的，有的是以独奏的形式出现，有的以独奏的形式为舞蹈伴奏，有的与吹奏乐器组合，还有的与吹奏乐器、打击乐器组合为舞蹈伴奏。它们的出现几乎都伴有吹奏乐器。在大、中型乐队中，与吹奏乐器和打击乐器比例均衡，它们共同构成了左右对称式乐队。这样在音响上有较平衡的听觉效果。
　　극자이벽화중적탄발악기，주요유공후、비파화원함등충류。타문재악대조합중적구성、공능야시다양적，유적시이독주적형식출현，유적이독주적형식위무도반주，유적여취주악기조합，환유적여취주악기、타격악기조합위무도반주。타문적출현궤호도반유취주악기。재대、중형악대중，여취주악기화타격악기비례균형，타문공동구성료좌우대칭식악대。저양재음향상유교평형적은각효과。
Kizil, one of the four biggest grottoes in China, retains many music and dance murals occupying almost half of all the grottoes. Musical instruments such as Konghou (an ancient plucked stringed instru-ment), Pipa (a plucked string instrument with a fretted fingerboard 4-stringed Chinese lute) and Yuanxian (a plucked stringed instrument) perform many functions in band combinations: a solo, dances to the accompa-niment of a solo, a combination with wind instruments, dances to the accompaniment of a combination with wind instruments and percussion instruments. Their presence is always with wind instruments. Together they constitute a balanced band, producing a balanced audio effect.