铜陵学院学报
銅陵學院學報
동릉학원학보
JOURNAL OF TONGLING COLLEGE
2013年
3期
98-100
,共3页
“感物说”%“摹仿说”%天人合一%二元对立
“感物說”%“摹倣說”%天人閤一%二元對立
“감물설”%“모방설”%천인합일%이원대립
"Perceiving"%"Imitation"%Harmony Between Man and Nature%dualistic
“感物说”和“摹仿说”分别是中西关于文学艺术发生的理论学说，并且都各自对其后代文学艺术的发展产生了深刻的影响。两者都反映了文学与自然、社会之间有着不可分割的联系。我们不能忽视两者的确存在着更为根本的差异。“感物说”强调的是主客观的融合，而“摹仿说”则强调主客观的分离，这和中西方“天人合一”和“二元对立”的认知模式有很大的联系。
“感物說”和“摹倣說”分彆是中西關于文學藝術髮生的理論學說，併且都各自對其後代文學藝術的髮展產生瞭深刻的影響。兩者都反映瞭文學與自然、社會之間有著不可分割的聯繫。我們不能忽視兩者的確存在著更為根本的差異。“感物說”彊調的是主客觀的融閤，而“摹倣說”則彊調主客觀的分離，這和中西方“天人閤一”和“二元對立”的認知模式有很大的聯繫。
“감물설”화“모방설”분별시중서관우문학예술발생적이론학설，병차도각자대기후대문학예술적발전산생료심각적영향。량자도반영료문학여자연、사회지간유착불가분할적련계。아문불능홀시량자적학존재착경위근본적차이。“감물설”강조적시주객관적융합，이“모방설”칙강조주객관적분리，저화중서방“천인합일”화“이원대립”적인지모식유흔대적련계。
"Perceiving" and "Imitation" are Chinese and Western literature and art theories, each had a profound influence on the development of their offspring literary and artistic. Both reflect between literature, nature and society are inextricably linked. We can not ignore the more fundamental difference between the two does exist. "Perceiving" to emphasize that the integration of subjective and ob-jective, and "Imitation" stressed the objective and subjective separation, this is very much tied to the cognitive model of China and the West " Harmony Between Man and Nature " and " Dualistic ".
