CAJ | 학술논문

　　谢赫的《古画品录》是我国第一部系统的以论、评相结合的绘画美学作品，对后世影响深远。谢赫创造性地将绘画理论同中国哲学紧密相连，为绘画美学在中国文化中地位的取得打下了坚实的基础。通过解读《古画品录》发现，魏晋南北朝时期，人们对人物品藻虽表现出由儒转道的倾向，但是从《古画品录》中可以看出谢赫对画的品评仍然保留了儒家的思想传统，体现出了儒家的审美价值观。
　　사혁적《고화품록》시아국제일부계통적이론、평상결합적회화미학작품，대후세영향심원。사혁창조성지장회화이론동중국철학긴밀상련，위회화미학재중국문화중지위적취득타하료견실적기출。통과해독《고화품록》발현，위진남북조시기，인문대인물품조수표현출유유전도적경향，단시종《고화품록》중가이간출사혁대화적품평잉연보류료유가적사상전통，체현출료유가적심미개치관。
Recordings of Savoring Ancient Drawings by Xie He is the first aesthetic work on drawings with discussion and comment systematically integrated in our country. It has cast a longstanding influence on later generations. Xie He creatively combines drawing theories with Chinese philosophy, consolidating the status of drawing aesthetics in Chinese culture. An interpretation of this work reveals that in Wei, Jin and North-south dynasties, the trend of shifting Confucianism to Daoism is reflected in assessing important figures. But Recordings of Savoring Ancient Drawings shows that Xie He still keeps the traditional Confucianism and the Confucian aesthetics.