渭南师范学院学报
渭南師範學院學報
위남사범학원학보
JOURNAL OF WEINAN TEACHERS COLLEGE
2014年
9期
89-91
,共3页
元代%文人画%不求形似%发展
元代%文人畫%不求形似%髮展
원대%문인화%불구형사%발전
Yuan Dynasty%literati painting%“Not for the shape”%development
苏轼正式提出了文人画的概念，书画结合中追求自我情感和“不求形似”的表达，文人画“不求形似”的理论呼声随着文人画家队伍的不断壮大愈来愈高，更多的文人画家在创作中躬身践行。元代是文人画发展兴盛的特殊时代，更加追求“不求形似”“逸气”“意趣”、自我情感的抒发，但“不求形似”理论的崛起、高涨和实践却不是同步发展的。
囌軾正式提齣瞭文人畫的概唸，書畫結閤中追求自我情感和“不求形似”的錶達，文人畫“不求形似”的理論呼聲隨著文人畫傢隊伍的不斷壯大愈來愈高，更多的文人畫傢在創作中躬身踐行。元代是文人畫髮展興盛的特殊時代，更加追求“不求形似”“逸氣”“意趣”、自我情感的抒髮，但“不求形似”理論的崛起、高漲和實踐卻不是同步髮展的。
소식정식제출료문인화적개념，서화결합중추구자아정감화“불구형사”적표체，문인화“불구형사”적이론호성수착문인화가대오적불단장대유래유고，경다적문인화가재창작중궁신천행。원대시문인화발전흥성적특수시대，경가추구“불구형사”“일기”“의취”、자아정감적서발，단“불구형사”이론적굴기、고창화실천각불시동보발전적。
The concept of literati painting was put forward by Su Shi, in which the express of self feelings and “Not for the shape” was constructed in the combination of writing and painting. The demand of“Not for the shape” theory development is more and more necessary with the expansion of the literati painter team, and more and more literati painters set an example in painting. The Yuan Dynasty is a special period in which the self feelings of“Not for the shape”, graceful, and interesting was sought, but the rise, the upsurge and the practice of the “Not for the shape” theory was not synchronous.
