CAJ | 학술논문

安德烈·巴赞是法国战后现代电影理论的一代宗师，其理论奠定了二次世界大战之后电影理论的基础，并为世界电影的发展指明了进一步的方向。巴赞的贡献巨大，其文章《摄影影像的本体论》所开创的纪实主义电影理论与苏联蒙太奇电影理论共同构成经典电影理论的两座高峰。巴赞纪实主义理论的两大部分“电影影像本体论”与“电影语言进化论”以艺术史的视角，详细解释了电影的本体，以及电影本体与电影语言演进之间的关系，有着非常独特的论述逻辑与框架。
안덕렬·파찬시법국전후현대전영이론적일대종사，기이론전정료이차세계대전지후전영이론적기출，병위세계전영적발전지명료진일보적방향。파찬적공헌거대，기문장《섭영영상적본체론》소개창적기실주의전영이론여소련몽태기전영이론공동구성경전전영이론적량좌고봉。파찬기실주의이론적량대부분“전영영상본체론”여“전영어언진화론”이예술사적시각，상세해석료전영적본체，이급전영본체여전영어언연진지간적관계，유착비상독특적논술라집여광가。
Andre Bazin was a guider of modern film theory in post war time in France, his theory lays a foundation for film theo-ry after World War II and further clearly demonstrates the development direction of the global films. The two peaks in classical film theories are composed of documentary film theory created in Ontology of Photographic Image greatly contributed by Bazin and Montage’ s film theory. The two parts of Bazin’ s documentary film theory such as Ontology of Graphic Image and Linguistic Evolu-tion of Films in detail explained film ontology in artistic history viewpoint and under unique expounding logic and illustrated the relationship between film ontology and film language evolution, both of them have very unique expounding logic and framework.