CAJ | 학술논문

豫剧男声声腔艺术经过长期的发展和融合，大致形成了大本腔、二本腔、夹板音和后来武秀之教授提出的三结合等几种演唱方法，通过对这几种唱法的演唱规律和特点进行简要分析和梳理，以期对豫剧男声声腔艺术有一个相对清晰的认识。
예극남성성강예술경과장기적발전화융합，대치형성료대본강、이본강、협판음화후래무수지교수제출적삼결합등궤충연창방법，통과대저궤충창법적연창규률화특점진행간요분석화소리，이기대예극남성성강예술유일개상대청석적인식。
After a long period of development and fusion,the male tune art in Henan Opera has formed approx-imately three ways of singing:chest voice,falsetto and mixed voice.And then Professor Wu Xiuzhi proposes a way of singing that combines above three ways.The paper chiefly analyzes and summarizes the laws and features of these singing ways in order to get a relatively clear knowledge of the male tune art in Henan Opera.