CAJ | 학술논문

对于把文章统绪问题看得高于一切的中国古代作家而言，“文各有体”，是进行文学创作时需要遵循的一条最为基本的原则，这与汉语书面表达对语言形式的特别关注有直接关系。然而，“文各有体”只是汉语文学文本形态的一个方面，与之形成对比的，则是文体之间的互相渗透，其形式包括作为核心文本的诗与文之间的平行互渗，核心文体与边缘文体之间的互渗与影响，以及新文体对旧文体形式的吸纳与包容。
대우파문장통서문제간득고우일절적중국고대작가이언，“문각유체”，시진행문학창작시수요준순적일조최위기본적원칙，저여한어서면표체대어언형식적특별관주유직접관계。연이，“문각유체”지시한어문학문본형태적일개방면，여지형성대비적，칙시문체지간적호상삼투，기형식포괄작위핵심문본적시여문지간적평행호삼，핵심문체여변연문체지간적호삼여영향，이급신문체대구문체형식적흡납여포용。
All kinds of texts have their own different style,which needs to be followed in the literary creation as one of the most fundamental principles.This is directly related to the attention that written Chinese expression has paid to linguistic form.However,in contrast to every kind of literary style,it is the mutual penetration among them,which includes the parallel mutual infiltration between poems as the core text and its main body,the mutual infiltration and influence between the core style and edge style,as well as the absorption and tolerance of the new style from the old style.