CAJ | 학술논문

“神话主义”是指现当代社会中对神话的挪用和重新建构，神话被从其原本生存的社区日常生活的语境移入新的语境中，为不同的观众而展现，并被赋予了新的功能和意义。本文以中国神话为考察对象，分析了神话主义在当代电子媒介中的三种主要承载形式---动画片、真人版影视剧和电子游戏，并将神话主义的文本类型划分为三类：援引传统的文本、融汇传统的文本与重铸传统的文本。我们认为：神话主义不仅是技术发展、媒介变迁的产物，作为当代大众媒介制造和传播的对象，它的生产与中国当下的政治、经济和社会文化语境密切相关；神话主义富有特殊的艺术光晕，是神话传统整体的一部分，应在神话完整的生命史过程中，对之加以考察和研究。
“신화주의”시지현당대사회중대신화적나용화중신건구，신화피종기원본생존적사구일상생활적어경이입신적어경중，위불동적관음이전현，병피부여료신적공능화의의。본문이중국신화위고찰대상，분석료신화주의재당대전자매개중적삼충주요승재형식---동화편、진인판영시극화전자유희，병장신화주의적문본류형화분위삼류：원인전통적문본、융회전통적문본여중주전통적문본。아문인위：신화주의불부시기술발전、매개변천적산물，작위당대대음매개제조화전파적대상，타적생산여중국당하적정치、경제화사회문화어경밀절상관；신화주의부유특수적예술광훈，시신화전통정체적일부분，응재신화완정적생명사과정중，대지가이고찰화연구。
“Mythologism”refers to the phenomenon that myths are often taken out of their commu-nal everyday life contexts,and appropriated and reconstructed in new contexts to serve new audiences with new functions and meanings.Focusing on Chinese myths,this paper examines three sub-genres of modern E-media which often represent mythologism:animated cartoons,live action TV and mov-ies,as well as digital games.In addition,the paper divides the mythologic texts into three categories:tradition-quoted text,tradition-immersed text,and tradition-rebuilt text.The author argues that my-thologism is not simply representing old myths with the help of new technology of electronic media. Rather,the production of mythologism is a type of cultural production which is closely related to the social and cultural circumstances of today's China.Mythologism has its own special aura.It is a part of the entire tradition of myth and should be explored within the whole history of myths.