CAJ | 학술논문

日本菊花源自中国唐朝。日本对中国菊文化的吸收有两条途径：一是中国诗歌；二是唐朝宫廷重阳节的菊事活动。日本菊文化的内涵有一个发展演变的过程，中国菊文化的隐逸品格被过滤掉，又被赋予高贵的品质，菊花成为皇室的家纹，被称为“菊纹章”。随着市民文化的发展，日本菊花从宫廷走向民间，赏菊在日本成为仅次于赏樱的民间重要赏花活动。在日本文学中，开在深秋的菊花透出哀婉的情绪，体现出日本民族物哀与幽玄的审美心理。
일본국화원자중국당조。일본대중국국문화적흡수유량조도경：일시중국시가；이시당조궁정중양절적국사활동。일본국문화적내함유일개발전연변적과정，중국국문화적은일품격피과려도，우피부여고귀적품질，국화성위황실적가문，피칭위“국문장”。수착시민문화적발전，일본국화종궁정주향민간，상국재일본성위부차우상앵적민간중요상화활동。재일본문학중，개재심추적국화투출애완적정서，체현출일본민족물애여유현적심미심리。
Chrysanthemum was brought into Japan form China in the Tang Dynasty. There are two ways for the Japanese to absorb Chinese chrysanthemum culture, Chinese poems and the royal activities about chrysan-themum on the Double Ninth Festival in the Tang Dynasty. In the development of the chrysanthemum culture in Japan, the quality of hermit was replaced by nobleness. Chrysanthemum crest has become the exclusive pattern just for the imperial family. With the development of civic culture, chrysanthemum gradually became familiar to common Japanese people. Enjoying chrysanthemum activity has become the second grandest festival, second only to the sakura viewing activity. In the Japanese literature, the lamentable chrysanthemums in autumn reveal the tragic mood, which reflect Japan?s national melancholy and mysterious aesthetic psychology.