CAJ | 학술논문

《文心雕龙》是中国文艺理论史上的巨著，“龙学”作为一门久盛不衰的显学，近百年来取得了丰硕成果，但仍然缺乏深入细致的文献考证和研究分析。魏晋六朝“人的觉醒”主要体现在士人真挚的情感、独立的人格、精神气质美中。“傲岸泉石”出自《文心雕龙·序志》篇“赞曰”，作者对其进行了细致的考辨，认为其词义涉及文学创作的主体与客体、人与物等一系列关系，甚至可以说是全书文论思想的一个浓缩。以往对它的解释大致可以归为三种：纵情山水说、高傲隐居说、逍遥自得说，并分别与真挚的情感、独立的人格、精神气质美相呼应，每种说法都有合理之处，亦有不足。“傲岸泉石”体现了文学创作中的主体意识的觉醒，肯定了创作主体在文学活动中的主导地位与主体作用。
《문심조룡》시중국문예이론사상적거저，“룡학”작위일문구성불쇠적현학，근백년래취득료봉석성과，단잉연결핍심입세치적문헌고증화연구분석。위진육조“인적각성”주요체현재사인진지적정감、독립적인격、정신기질미중。“오안천석”출자《문심조룡·서지》편“찬왈”，작자대기진행료세치적고변，인위기사의섭급문학창작적주체여객체、인여물등일계렬관계，심지가이설시전서문론사상적일개농축。이왕대타적해석대치가이귀위삼충：종정산수설、고오은거설、소요자득설，병분별여진지적정감、독립적인격、정신기질미상호응，매충설법도유합리지처，역유불족。“오안천석”체현료문학창작중적주체의식적각성，긍정료창작주체재문학활동중적주도지위여주체작용。
The Literary Mind and the Carving of Dragons is a piece of monumental work in Chinese history of literary theory. As a noted school of thoughts, the study on this work has yielded fruitful results in the past hundred years. However, profound and detailed research and analysis are still insufficient. “Ao An Quan Shi”(go to the mountains and rivers) stems from the summary of The Literary Mind and the Carving of Dragons (Preface). After research and analysis, the author maintains that the meaning of this phrase involves the subject and object in literary creation, relationship between humans and objects. It can be viewed as a concentration of literary thoughts in the whole book. The previous definitions of“Ao An Quan Shi”fall into four categaries:indulging in nature, lofty seclusion, being authentic, free and unfettered complacent. Every statement has its reason as well as its defects. In the author mind,“Ao An Quan Shi”is a natural free state and unfettered complacent in literary creation.