CAJ | 학술논문

生存欲与毁灭欲相伴，文明史也是暴力史，爱与暴力一直是文学舞台上的热门话题。黑人文学中的爱与暴力水火不容却形影不离，沃克的《格兰奇·科普兰的第三次人生》从施害者角度阐述了男权暴力统治造成了施害者病态的关爱，莫里森的《宠儿》从受害者角度阐释了暴力创伤导致了受害者对爱的自我剥夺，胡克斯则提出了爱的伦理以作为疗愈策略，她的疗愈修辞对黑人文学既有继承，也有超越。
생존욕여훼멸욕상반，문명사야시폭력사，애여폭력일직시문학무태상적열문화제。흑인문학중적애여폭력수화불용각형영불리，옥극적《격란기·과보란적제삼차인생》종시해자각도천술료남권폭력통치조성료시해자병태적관애，막리삼적《총인》종수해자각도천석료폭력창상도치료수해자대애적자아박탈，호극사칙제출료애적윤리이작위료유책략，저적료유수사대흑인문학기유계승，야유초월。
Since the libidinal and destructive urges exist simultaneously,and the history of civilization is also the history of barbarity,love and violence has been a constant phenomenon on the stage of literature.In Afro-American literature, love and violence are inseparable twosome.Alice Walker’s The Third Life of Grange Copeland presents the perpetrator’s neurotic characters in love which was induced by the patriarchal ethics of violent domination.Toni Morrison's Beloved ex-pounds the victims’self-denial of love after their traumatic experiences.As a remedy,bell hooks offers an ethics of love which both inherits and transcends the black literary tradition.