CAJ | 학술논문

作为一种史学现象，亚洲新电影的崛起已是不争的事实。虽然有学者较早注意到这股来自东方的新鲜势力，但却很少有人进行深入细致的梳理，进而勾勒出其清晰形貌。从这点来说，周安华教授的《当代电影新势力---亚洲新电影大师研究》一书无疑石破天惊，首次系统而微地将亚洲各国的新锐导演势力及其电影创作实绩进行了形象展览，并以先锋的学术视点、全新的导演序列阐述有力填补了亚洲新电影导演群体和作品研究的空白。该书采用了融宏观文化观照与具体镜像分析，集导演群体勾勒与作品描述于一体的研究方法，具有鲜明的研究实验意味和突出的电影史学价值。全书线索明晰、内容丰富、资料翔实、体式新颖，是近年来亚洲新电影研究的集大成者，代表了亚洲电影研究的新成果。书中凝重的文化和学术思考亦为亚洲电影研究提供了许多有益的探讨平台和理论上升空间，其学术价值和理论意义必将在今后的新电影实践中得以佐证。
작위일충사학현상，아주신전영적굴기이시불쟁적사실。수연유학자교조주의도저고래자동방적신선세력，단각흔소유인진행심입세치적소리，진이구륵출기청석형모。종저점래설，주안화교수적《당대전영신세력---아주신전영대사연구》일서무의석파천량，수차계통이미지장아주각국적신예도연세력급기전영창작실적진행료형상전람，병이선봉적학술시점、전신적도연서렬천술유력전보료아주신전영도연군체화작품연구적공백。해서채용료융굉관문화관조여구체경상분석，집도연군체구륵여작품묘술우일체적연구방법，구유선명적연구실험의미화돌출적전영사학개치。전서선색명석、내용봉부、자료상실、체식신영，시근년래아주신전영연구적집대성자，대표료아주전영연구적신성과。서중응중적문화화학술사고역위아주전영연구제공료허다유익적탐토평태화이론상승공간，기학술개치화이론의의필장재금후적신전영실천중득이좌증。
The rising of new Asian cinema , as a phenomenon of history , has been an indisputable fact .Though some scholars have noticed the new force from the Orient , few has gone as far as to in-vestigate in a deep and careful manner and to draw a clear outline of it .Seen from this perspective , the book The New Force of Contemporary Cinema-the Study on Masters of New Asian Cinema written by Professor Zhou Anhua is undoubtedly ground-breaking , which for the first time systematically and meticulously introduces up-and-coming directors from Asia and their films and therefore fills in the gap of studies in the field .By combining macro cultural observation with specific image analysis and integrating the description of directors as a group with individual works , the book is distinctly experi-mental and prominently valuable in the history of cinema .It epitomizes studies on new Asian films for the past few years , and marks the freshest achievement in Asian film research .