CAJ | 학술논문

江苏作家的农民工题材小说创作延续了“五四”乡土作家的文化视角，把笔墨更多集中于农民工进城以后精神层面的探讨，着力表现城乡之间的文化冲突。女性农民工和农民工子女作为农民工群体中相对特殊的人群，也成为江苏作家笔触最为集中之处，女性农民工进城之后的尴尬境遇，从一个侧面反映了城乡之间的文化冲突。农民工子女在父母进城之后，无论是否留守，其身份和精神总是流动的、无处安放的，由此突显了江苏作家独特视角下的底层关怀。
강소작가적농민공제재소설창작연속료“오사”향토작가적문화시각，파필묵경다집중우농민공진성이후정신층면적탐토，착력표현성향지간적문화충돌。녀성농민공화농민공자녀작위농민공군체중상대특수적인군，야성위강소작가필촉최위집중지처，녀성농민공진성지후적감개경우，종일개측면반영료성향지간적문화충돌。농민공자녀재부모진성지후，무론시부류수，기신빈화정신총시류동적、무처안방적，유차돌현료강소작가독특시각하적저층관부。
The migrant workers’novels of Jiangsu writers continue the cultural perspectives of the “May 4th”local writers and put more emphases on migrant workers’spiritual aspects to express the cultural con-flicts between urban and rural areas.As a relatively special group of migrant workers,women migrant workers and migrant children also become the focus in Jiangsu writers’novels.Women migrant workers, who enter into the city with embarrassing situation,reflect the cultural conflicts from one aspect between urban and rural areas.Migrant children,whether or not staying in the countryside,their identities and spirits are always floating,with nowhere to put,which highlights the unique concern for the underclass by Jiangsu writers.