CAJ | 학술논문

胡克斯的批评实践折射出当代女性主义批评话语的如下特点：其维度由单一的性别范式走向性别-种族-阶级交融的范式，黑人女性主义批评对此范式的转变功不可没；总体性难以维系，文本之间相互冲突，当代女性主义批评舞台上发生着女权与反女权的交锋；从议题到体裁在不断跨界，走向创作是女性主义理论书写的新动向，这个转向引发新的值得关注的话题。
호극사적비평실천절사출당대녀성주의비평화어적여하특점：기유도유단일적성별범식주향성별-충족-계급교융적범식，흑인녀성주의비평대차범식적전변공불가몰；총체성난이유계，문본지간상호충돌，당대녀성주의비평무태상발생착녀권여반녀권적교봉；종의제도체재재불단과계，주향창작시녀성주의이론서사적신동향，저개전향인발신적치득관주적화제。
Hooks’theory of critical practice reflects some features of contemporary feminist criticism.Firstly,its di-mension has stepped to the paradigm of fusion among gender,race and class,and the black feminist criticism has contributed a lot to it.Secondly,its status as a whole cannot be maintained.Texts are mutually contradictory.Moreover,forces for women’s rights and against them are confronted.Thirdly,cross-boundary inclination is increasingly seen from subj ect and style,and it tends to be the one that the creation is oriented by feminism.This transfer has brought about the new subj ect which is worthy of our attention.