CAJ | 학술논문

以汪野亭山水瓷板画为研究对象，结合董其昌的绘画理论，从汪野亭山水画师古与师造化的创作历程、对以书入画创作手法的继承和“天真幽淡”主导下兼擅南北宗山水风格三方面入手，探求董其昌绘画理论对汪野亭山水瓷板画，尤其是其后期独创的青绿山水粉彩瓷画的异代影响，以期为汪野亭瓷板画创作研究提供另一有益角度。
이왕야정산수자판화위연구대상，결합동기창적회화이론，종왕야정산수화사고여사조화적창작역정、대이서입화창작수법적계승화“천진유담”주도하겸천남북종산수풍격삼방면입수，탐구동기창회화이론대왕야정산수자판화，우기시기후기독창적청록산수분채자화적이대영향，이기위왕야정자판화창작연구제공령일유익각도。
This paper studies the Wang Yeting’s porcelain plate paintings of landscape under Dong Qichang’s theory of painting. It specifically discusses the influence of Dong’s painting theory on Wang’s porcelain painting of landscape from the perspectives of Wang’s inheritance of the old, “writing mingled into drawing” technique and his excellent command of southern and northern painting styles under the naivety theme. It also researches into the cross-generation influence of Dong’s painting theory on Wang’s t landscape paintings, esp. on his turquoise overglaze landscape paintings, which offers another useful perspective for the research of Wang Yeting’s porcelain plate paintings.