敦煌研究
敦煌研究
돈황연구
DUNHUANG RESEARCH
2014年
3期
92-117
,共26页
笈多王朝%唐王朝%花鸟嫁接式图像%装饰纹样
笈多王朝%唐王朝%花鳥嫁接式圖像%裝飾紋樣
급다왕조%당왕조%화조가접식도상%장식문양
Gupta dynasty%Tang dynasty%Grafting image of birds andflowers%Decorative pattern
花鸟嫁接式图像，亦即鸟雀与花卉的混合造型，其艺术创意近乎极致，构建装饰纹样史上一座里程碑。这种图像创始于印度笈多时代，后笈多时代与帕拉时代延续发展，波及古印度大部版图。初唐时期印度花鸟嫁接式图像传入并迅速中国化，武周至盛唐时期风行一时，连绵至五代前后，唐两京所在中原地区始终是中心发展区域。中国花鸟嫁接式图像数量之众、发展程度之高，又非印度所能及。
花鳥嫁接式圖像，亦即鳥雀與花卉的混閤造型，其藝術創意近乎極緻，構建裝飾紋樣史上一座裏程碑。這種圖像創始于印度笈多時代，後笈多時代與帕拉時代延續髮展，波及古印度大部版圖。初唐時期印度花鳥嫁接式圖像傳入併迅速中國化，武週至盛唐時期風行一時，連綿至五代前後，唐兩京所在中原地區始終是中心髮展區域。中國花鳥嫁接式圖像數量之衆、髮展程度之高，又非印度所能及。
화조가접식도상，역즉조작여화훼적혼합조형，기예술창의근호겁치，구건장식문양사상일좌리정비。저충도상창시우인도급다시대，후급다시대여파랍시대연속발전，파급고인도대부판도。초당시기인도화조가접식도상전입병신속중국화，무주지성당시기풍행일시，련면지오대전후，당량경소재중원지구시종시중심발전구역。중국화조가접식도상수량지음、발전정도지고，우비인도소능급。
The grafting image of birds and flowers is a kind of hybrid pattern of birds and flowers, which displays excellent creativity and became a milestone in decorative pattern history. This pattern originated inthe Gupta dynasty, and continuedto develop in the post-Gupta and Pala periods, while spreading to most parts of India. This kind of image was introduced into China in the early Tang dynasty, and soon becameSinicized. It caught on from the period of rule of Empress Wu Zetian to the High Tang period, and it lasted until the Five Dynasties. However, it was mainly developed in the Central Plains, including the two capitals of the Tang dynasty. These kinds of images in China far surpassed its Indian prototype not only in number but also in achievements.
