韩山师范学院学报
韓山師範學院學報
한산사범학원학보
JOURNAL OF HANSHAN TEACHERS COLLEGE
2014年
4期
75-78
,共4页
中国传统山水画%写实风景油画%画面空间%表现目的%表现手法
中國傳統山水畫%寫實風景油畫%畫麵空間%錶現目的%錶現手法
중국전통산수화%사실풍경유화%화면공간%표현목적%표현수법
traditional Chinese landscape painting%realistical oil painting%image spacing,perfor-mance goal%technique of expression
中国传统山水画与西方的写实风景油画对画面空间的构建有着不同的理解和表述,它们构建了两种不同类型的画面空间,体现出不同的情感特点,它们在画面空间的构建方式上的差别集中表现为透视的运用、画面色彩的表现、形体的塑造、虚实的处理这四个方面。
中國傳統山水畫與西方的寫實風景油畫對畫麵空間的構建有著不同的理解和錶述,它們構建瞭兩種不同類型的畫麵空間,體現齣不同的情感特點,它們在畫麵空間的構建方式上的差彆集中錶現為透視的運用、畫麵色綵的錶現、形體的塑造、虛實的處理這四箇方麵。
중국전통산수화여서방적사실풍경유화대화면공간적구건유착불동적리해화표술,타문구건료량충불동류형적화면공간,체현출불동적정감특점,타문재화면공간적구건방식상적차별집중표현위투시적운용、화면색채적표현、형체적소조、허실적처리저사개방면。
Though both the traditional Chinese landscape painting and the realistic Western oil painting represent an identical landscape, they have different comprehension and statement in construction methods of image spacing. For diverse purposes of performance goal, they construct two different kinds of image spacing. In this paper we will research on their performance goal and technique of expression to figure out their different construction methods of image spacing by a comparative study in four aspects:the application of perspective, the performance of picture color, the shaping of form and the processing of vitual and actual.