CAJ | 학술논문

江淹《杂体诗三十首》选择了从汉末到刘宋时期三十位作家的作品进行模拟，反映了江淹对五言诗诗歌发展的品评观念。因为模拟的过程蕴含着不以理论表述，而是通过对原作的改造（顺应与背离，增加或删除）而反映的文学思想。基于此，文章通过具体分析《杂体诗三十首》中有关拟玄言诗的部分，发掘出江淹及南朝文人对玄言诗的产生、发展流变和消失过程的理解，这从拟诗的角度给我们提供了研究玄言诗这段文学史的新视角。
강엄《잡체시삼십수》선택료종한말도류송시기삼십위작가적작품진행모의，반영료강엄대오언시시가발전적품평관념。인위모의적과정온함착불이이론표술，이시통과대원작적개조（순응여배리，증가혹산제）이반영적문학사상。기우차，문장통과구체분석《잡체시삼십수》중유관의현언시적부분，발굴출강엄급남조문인대현언시적산생、발전류변화소실과정적리해，저종의시적각도급아문제공료연구현언시저단문학사적신시각。
Jiang Yan’s the Thirty Miscellaneous Poems imitates the thirty poets’poems from Han to Liu Song.These re-flect Jiang Yan’s own literary criticism.Because the process of simulation contains no expression in theory,but to reform the original (adaptation and deviation,add or delete)and reflect the literary thought.The literary criticism can be ob-served in the excellent imitating works of that time.In this thesis,I am trying to analyze the Xuan Yan poetry of Thirty Miscellaneous Poems,we can find that the new perspective of the developing course of Xuan Yan poetry:development, boom,declining and deviation.