CAJ | 학술논문

由于电影叙事的语言越来越复杂化，观影体会和审美诉求也变得越来越多元化，这导致了观影心理上的“缺失”感急需电影叙事从文本和形式两方面“给予”填补。本文旨在于厘清观影认知心理发生的三种变化，并把握这些变化，促使电影制作方对观众的观看动机、观看行为、观看目的有着更为深入的洞悉，对电影叙事给观众的心理审美带来的影响做出更适宜的改变，从而达到最佳的观影体验。
유우전영서사적어언월래월복잡화，관영체회화심미소구야변득월래월다원화，저도치료관영심리상적“결실”감급수전영서사종문본화형식량방면“급여”전보。본문지재우전청관영인지심리발생적삼충변화，병파악저사변화，촉사전영제작방대관음적관간동궤、관간행위、관간목적유착경위심입적동실，대전영서사급관음적심리심미대래적영향주출경괄의적개변，종이체도최가적관영체험。
Because the language of film narrative increasingly complex,movie-viewing experience and aes-thetic appeal are becoming increasingly diverse,which led to the"lack"sense of audience awareness of psychological much-needed film narrative from both text and form to"give"to fill.The paper aims to clar-ify the many changes occurring viewing cognitive psychology,and takes advantage of these changes which impel film producers to understand thoroughly the viewing motivation ,viewing behavior and viewing pur-pose of audiences,and more appropriately change the influence,which film narrative bings the aesthetic psychology,in order to receive the best experience of movie-viewing.