城市建筑
城市建築
성시건축
URBANISM AND ARCHITECTURE
2014年
20期
275-276
,共2页
四合院%媒介%民族性%当代性
四閤院%媒介%民族性%噹代性
사합원%매개%민족성%당대성
courtyard house%medium%nationality%contemp-orary
当代艺术与建筑貌似是两个互不相往来的意识形态,但其实互为贯通,只是一“墙”之隔。通过对朱锫设计的蔡国强四合院进行分析,对比两位所创作艺术的表达方式,寻找出了建筑与艺术是如何通过自己的媒介来诠释现代东方意境的。
噹代藝術與建築貌似是兩箇互不相往來的意識形態,但其實互為貫通,隻是一“牆”之隔。通過對硃锫設計的蔡國彊四閤院進行分析,對比兩位所創作藝術的錶達方式,尋找齣瞭建築與藝術是如何通過自己的媒介來詮釋現代東方意境的。
당대예술여건축모사시량개호불상왕래적의식형태,단기실호위관통,지시일“장”지격。통과대주부설계적채국강사합원진행분석,대비량위소창작예술적표체방식,심조출료건축여예술시여하통과자기적매개래전석현대동방의경적。
Contemporary art and architecture seems to be two separate ideologies, but in fact they are interpenetrate and only a wal between them. Through analyzing the Cai Guoqiang courtyard house which is designed by Zhu Pei, compares the presentation, and finds out the medium that building and art annotate the modern oriental artistic conception.